Glossar-English:Nomination: Unterschied zwischen den Versionen

Aus Glossar der Bildphilosophie
Zur Navigation springen Zur Suche springen
Joerg R.J. Schirra (Diskussion | Beiträge)
Die Seite wurde neu angelegt: „<!-- "This is comment" --> <!--Vorlage für Unterpunkte--> <!--Den folgenden Header, bitte nicht verändern--> {{GlosHeader}} Kategorie:Unterpunkt Kate…“
 
K Textersetzung - „{{GlosTab5-E}}↵<bib.*<\/bib>“ durch „{{GlosTab5-E}}“
 
(12 dazwischenliegende Versionen von einem anderen Benutzer werden nicht angezeigt)
Zeile 5: Zeile 5:
[[Kategorie:Unterpunkt]]
[[Kategorie:Unterpunkt]]
[[Kategorie:Zeichentheorien: Übersicht]]
[[Kategorie:Zeichentheorien: Übersicht]]
Unterpunkt zu: [[Zeichentheorien: Übersicht|Sign theories: Overview]]
[[Kategorie:Übersetzung]]
[[Kategorie:English]]
Sub-Item to: [[Glossar-English:Sign theories: Overview|Sign theories: Overview]]


Original: [[Nomination]]
Original: [[Nomination]]
Zeile 12: Zeile 14:
<!--Ende header-->
<!--Ende header-->
<!--Ab hier: eigentlicher Inhalt-->
<!--Ab hier: eigentlicher Inhalt-->
==Nomination als ungesättigte Teilhand&shy;lung der Propo&shy;sition==
==Nomination as an unsaturated part of propositions==
 
Suppose one asks about the [[Glossar-English:Pragmatics, Semantics, Syntax|pragmatics]] of [[Glossar-English:Sign, Sign Carrier, Sign System|signs]]. In that case, one quickly associates a combinatorial scheme similar to the one that reconstructs the pragmatic function of [[Glossar-English:Proposition|statements]] from the partial sign acts of nomination and [[Glossar-English:Predication|predication]]. Especially in the case of images – or, more precisely, in the case of [[Glossar-English:Interaction and Communication|communication actions]] with the help of images – it is often investigated whether those partial functions might not provide a system of elementary communicative acts generating image pragmatics (cf. <bib id='Sachs-Hombach 2003a'></bib> or <bib id='Harth 2001a'></bib>). Nomination is the partial act of drawing attention to an object about which something is to be communicated; This object has to be already known to both communicative partners – existing in their shared ''discourse universe''<ref> See also [https://en.wikipedia.org/wiki/Domain_of_discourse Wi&shy;ki&shy;pe&shy;dia: Domain of discourse] and [https://en.wikipedia.org/wiki/Shared_universe Wi&shy;ki&shy;pe&shy;dia: Shared universe].</ref> (cf. <bib id='Kamlah & Lorenzen 1973a'>Kamlah & Loren&shy;zen 1973a</bib>: § 3, as well as <bib id='Gerhardus et al. 1975a'>Gerhar&shy;dus et al. 1975a</bib>: p. 42). The nomination is regarded as ''unsaturated'' in Frege's sense, i.e., as a real ''partial'' action that requires supplementation and cannot meaningfully occur alone.
Fragt man nach der [[Pragmatik, Semantik, Syntax|Pragma&shy;tik]] von [[Zeichen, Zeichenträger, Zeichensystem|Zeichen]], dann wird schnell ein kombi&shy;nato&shy;risches Schema asso&shy;ziiert ähnlich jenem, das die pragma&shy;tische Funktion von  [[Proposition|Aussa&shy;gen]] aus den Teilzei&shy;chenhand&shy;lungen der Nomi&shy;nation und der [[Prädikation|Prädi&shy;kation]] rekon&shy;struiert. Insbe&shy;sonde&shy;re bei Bildern – genau&shy;er bei [[Interaktion und Kommunikation|Kommu&shy;nika&shy;tionsak&shy;ten]] mithil&shy;fe von Bildern – wird oft unter&shy;sucht, ob nicht gerade jene Teilfunk&shy;tionen ein die Bildprag&shy;matik erzeu&shy;gendes System ele&shy;menta&shy;rer kommu&shy;nika&shy;tiver Akte liefern könnten (vgl. <bib id='Sachs-Hombach 2003a'></bib> oder <bib id='Harth 2001a'></bib>). Nomi&shy;nation ist die Zeichen&shy;teilhand&shy;lung, mit der man auf einen Gegen&shy;stand aufmerk&shy;sam macht, über den etwas mitge&shy;teilt werden soll; dieser Gegen&shy;stand muss dabei beiden Kommu&shy;nika&shy;tionspart&shy;nern bereits bekannt – in ihrem gemein&shy;samen ''Diskurs&shy;­uni­ver&shy;sum''<ref>Sie&shy;he hier&shy;zu auch [http://de.wikipedia.org/wiki/Diskursuniversum Wi&shy;ki&shy;pe&shy;dia: Dis&shy;kurs&shy;uni&shy;ver&shy;sum].</ref> vorhan&shy;den – sein (cf. <bib id='Kamlah & Lorenzen 1973a'>Kamlah & Loren&shy;zen 1973a</bib>: § 3, sowie <bib id='Gerhardus et al. 1975a'>Gerhar&shy;dus et al. 1975a</bib>: S. 42). Dabei gilt die Nomi&shy;nation als im Sinne Freges ''unge&shy;sättigt'', d.h. als eine echte ''Teil''hand&shy;lung, die ergän&shy;zungsbe&shy;dürftig ist und sinnvol&shy;ler Weise nicht allei&shy;ne vorkom&shy;men kann.
:
:
Insbesondere ohne die Vervoll&shy;ständi&shy;gung zu einer [[Proposition|Propo&shy;sition]] durch eine [[Prädikation|Prädi&shy;kation]] stünde das Erwäh&shy;nen eines Gegen&shy;standes durch die Nomi&shy;nation kommu&shy;nika&shy;tiv ge&shy;wisser&shy;maßen im leeren Raum.
In particular, without the completion by a [[Glossar-English:Predication|predication]] to a [[Glossar-English:Proposition|proposition]], the mentioning of an object by the nomination would stand communicatively in empty space, so to speak.




==Arten und Voraussetzungen der Nomi&shy;nation==
==Types and requirements of nomination==
In Verbindung mit Zeige&shy;gesten dienen häufig deikti&shy;sche Aus&shy;drücke – „dies“, „diese/r/s“ etc. – dazu, die Teilhand&shy;lung »Nomi&shy;nation« auszu&shy;führen, vor allem wenn die aktu&shy;elle Kommu&shy;nika&shy;tionssi&shy;tuation und die „darin gege&shy;benen“ mate&shy;riellen Gegen&shy;stände gemeint sind. Die Funktion der Nomi&shy;nation ist nicht auf solche Gegen&shy;stände beschränkt: Auch mit den Aus&shy;drücken „das letzte Einhorn“, „diese Idee des Schönen“, „Otto von Gue&shy;ricke“ oder „Harry Potters Gegen&shy;spieler“ können wir ja durchaus auf Diskurs&shy;gegen&shy;stände verwei&shy;sen. Im ersten Fall handelt es sich um eine defi&shy;nite Kennzeich&shy;nungen auf einen fikti&shy;ven Gegen&shy;stand, im zweiten Fall um eine deikti&shy;sche Kennzeich&shy;nungen auf einen abstrak&shy;ten Gegen&shy;stand, im dritten Fall um einen Eigen&shy;namen für einen realen Gegen&shy;stand in der Vergan&shy;genheit und im vierten Fall um eine komple&shy;xe Nomi&shy;nation mit Eigen&shy;name und Kennzeich&shy;nung für einen medial vermit&shy;telten Gegen&shy;stand.  
In connection with pointing gestures, deictic expressions – “this/these” and similar – often serve to perform the sub-action »nomination«, especially when the current communication situation and the material objects „given in it“ are meant. The function of nomination is not limited to such objects: Even with the expressions ‘the last unicorn’, ‘this idea of the beautiful’, ‘Otto von Guericke’, or ‘Harry Potter's antagonist’, we can, indeed, refer to discourse objects. In the first case, it is a definite description of a fictitious object; in the second case, a deictic description of an abstract object; in the third case, a proper name for a real object in the past; and in the fourth case, a complex nomination with proper name and describing elements for a medially invented object.


{| class="wikitable"  
{| class="wikitable"  
|+ Übersicht über die Arten der Nomi&shy;nation
|+ Overview of the types of nomination
|-
|-
| align="left"|einfa&shy;che deikti&shy;sche Aus&shy;drücke (Demon&shy;strator)  
| align="left"|simple deictic expressions (demonstrator)  
| align="left"|„dies“, „dieser“
| align="left"|„this“, „these“
| zu&shy;sam&shy;men mit Zei&shy;ge&shy;ges&shy;te ver&shy;wen&shy;det, kei&shy;ne Ei&shy;gen&shy;schafts- oder Typ&shy;an&shy;ga&shy;be
| used in conjunction with a pointing gesture, no property or type specification
|-
|-
| align="left"|inde&shy;xika&shy;lische Aus&shy;drücke
| align="left"|indexical expressions
| align="left"|„ich“, „dir“, „uns“
| align="left"|„I“, „your“, „us“
| er&shy;ge&shy;ben sich un&shy;mit&shy;tel&shy;bar aus der Kom&shy;mu&shy;ni&shy;ka&shy;ti&shy;ons&shy;si&shy;tu&shy;a&shy;ti&shy;on und ih&shy;ren Kom&shy;po&shy;nen&shy;ten; das Be&shy;zeich&shy;ne&shy;te muss al&shy;so ge&shy;gen&shy;wär&shy;tig sein; gilt ins&shy;be&shy;son&shy;de&shy;re für die Kom&shy;mu&shy;ni&shy;ka&shy;ti&shy;ons&shy;part&shy;ner selbst
| result directly from the communication situation and its components; the signified must, therefore, be present; applies in particular to the communication partners themselves
|-
|-
| align="left"|Anaphern
| align="left"|anaphora
| align="left"|„es“, „sie“, „ihm“, „ihnen“
| align="left"|„it“, „she“, „him“, „them“
| oh&shy;ne Zei&shy;ge&shy;hand&shy;lung ver&shy;wen&shy;det, Ver&shy;weis auf vor&shy;er&shy;wähn&shy;te Ge&shy;gen&shy;stän&shy;de
| used without pointing action, reference to aforementioned items
|-
|-
| align="left"|Eigen&shy;namen
| align="left"|proper names
| „Ludwig“, „Mona Lisa“  
| „Ludwig“, „Mona Lisa“  
| kon&shy;ven&shy;ti&shy;o&shy;nell (durch Tauf&shy;akt im wei&shy;tes&shy;ten Sinn) etab&shy;lier&shy;te No&shy;mi&shy;na&shy;to&shy;ren
| conventionally (by baptism in the broadest sense) established nominators
|-
|-
| align="left"|defi&shy;nite Kenn&shy;zeich&shy;nungen<ref>Sie&shy;he auch [http://de.wikipedia.org/wiki/Kennzeichnung Wi&shy;ki&shy;pe&shy;dia: Kenn&shy;zeich&shy;nung]. <br>Indefi&shy;nite Kennzeich&shy;nungen („ein Einhorn“) erfül&shy;len in aller Regel keine nomi&shy;nato&shy;rische sondern [[Prädikation|prädi&shy;kato&shy;rische]]
| align="left"|defi&shy;nite descriptions<ref>See also [http://de.wikipedia.org/wiki/Kennzeichnung Wi&shy;ki&shy;pe&shy;dia: Kenn&shy;zeich&shy;nung]. <br>Indefinite descriptions (“a unicorn”) usually do not fulfill a nominatory but a [[Glossar-English:Predication|predictive]] function.</ref>
Funktion.</ref>
| „the unicorn“, „the injured unicorn“, „the unicorn that lost its horn“
| „das Ein&shy;horn“, „das ver&shy;letz&shy;te Ein&shy;horn“, „das Ein&shy;horn, das sein Horn ver&shy;lo&shy;ren hat“
| an individuated instance of a particular type – a description of „that in the current discourse universe which you know has such and such a property“
| in&shy;di&shy;vi&shy;du&shy;ier&shy;te In&shy;stanz ei&shy;nes be&shy;stimm&shy;ten Typs – ei&shy;ne Des&shy;krip&shy;ti&shy;on „das&shy;je&shy;ni&shy;ge im ak&shy;tu&shy;el&shy;len Dis&shy;kurs&shy;uni&shy;ver&shy;sum, von dem Du weißt, dass es die&shy;se und je&shy;ne Ei&shy;gen&shy;schaft be&shy;sitzt“
|-
|-
| align="left"|ana&shy;phori&shy;sche Kenn&shy;zeich&shy;nungen
| align="left"|anaphoric descriptions
| „sein Ein&shy;horn“
| „his unicorn“
| Kom&shy;bi&shy;na&shy;ti&shy;on aus ana&shy;pho&shy;ri&shy;schen und des&shy;krip&shy;ti&shy;ven No&shy;mi&shy;na&shy;to&shy;ren
| combination of anaphoric and descriptive nomination
|-
|-
| align="left"|deikti&shy;sche Kenn&shy;zeich&shy;nungen
| align="left"|deictic descriptions
| „dieses Ein&shy;horn“
| „this unicorn“
| Kom&shy;bi&shy;na&shy;ti&shy;on aus deik&shy;ti&shy;schen und des&shy;krip&shy;ti&shy;ven No&shy;mi&shy;na&shy;to&shy;ren; gilt als die all&shy;ge&shy;mein&shy;ste Form, aus der sich die an&shy;de&shy;ren For&shy;men ab&shy;lei&shy;ten
| combination of deictic and descriptive nomination; is considered the most general form from which the other forms are derived
|}
|}


Wichtig ist in allen Fällen, dass die jewei&shy;ligen Kommu&shy;nika&shy;tionspart&shy;ner die gemein&shy;ten Gegen&shy;stände bereits kennen und in irgend&shy;einer Form von den ande&shy;ren gera&shy;de aktu&shy;ellen Diskurs&shy;gegen&shy;ständen aus&shy;einan&shy;derhal&shy;ten können. Eine Nomi&shy;nation kann nämlich nur erfolg&shy;reich durchge&shy;führt werden, wenn klar ist, welche Menge von Gegen&shy;ständen über&shy;haupt gera&shy;de zur Auswahl steht, d.h. über welches ''Diskurs&shy;uni&shy;versum'' die Kommu&shy;nika&shy;tionspart&shy;ner sich gera&shy;de verstän&shy;digen. Für die deikti&shy;schen Nomi&shy;nations&shy;formen ist sofort klar, dass dies die Äußerungs&shy;situa&shy;tion sein muss, in der sich die Gesprächs&shy;partner befin&shy;den, also genau&shy;er: die Gegen&shy;stände, die sie dort (gemein&shy;sam) wahrneh&shy;men können.<ref>Dar&shy;über hin&shy;aus kön&shy;nen deik&shy;ti&shy;sche Aus&shy;drü&shy;cke und die zu&shy;ge&shy;hö&shy;ri&shy;gen [[Zeigen und Sich-Zeigen|Zei&shy;ge&shy;ges&shy;ten]] auch in ei&shy;nem wei&shy;te&shy;ren Sinn ver&shy;wen&shy;det werden. Dann kön&shy;nen die Zei&shy;ge&shy;ges&shy;ten und der da&shy;mit ver&shy;bun&shy;de&shy;ne De&shy;mon&shy;stra&shy;tor auf ei&shy;nen le&shy;dig&shy;lich vor&shy;ge&shy;stell&shy;ten oder auch ab&shy;strak&shy;ten Ge&shy;gen&shy;stand ver&shy;wei&shy;sen, al&shy;ler&shy;dings im&shy;mer noch so, als wä&shy;re der in der ak&shy;tu&shy;el&shy;len Kom&shy;mu&shy;ni&shy;ka&shy;ti&shy;ons&shy;si&shy;tu&shy;a&shy;ti&shy;on kon&shy;kret zu&shy;ge&shy;gen.<br> Sie&shy;he auch [http://de.wikipedia.org/wiki/Deixis Wi&shy;ki&shy;pe&shy;dia: Dei&shy;xis].</ref> Im allge&shy;meinen Fall bezie&shy;hen sich die Nomi&shy;natio&shy;nen auf einen [[Kontext]], der entwe&shy;der impli&shy;zit<ref>Ne&shy;ben der un&shy;mit&shy;tel&shy;ba&shy;ren Äu&shy;ße&shy;rungs&shy;si&shy;tu&shy;a&shy;ti&shy;on er&shy;gibt sich als Stan&shy;dard&shy;fall bei ei&shy;ner Fol&shy;ge von Aus&shy;sa&shy;gen der Kon&shy;text ei&shy;ner Aus&shy;sa&shy;ge, falls nichts an&shy;de&shy;res aus&shy;drück&shy;lich er&shy;wähnt wird, aus dem Kon&shy;text der vo&shy;ran&shy;ge&shy;hen&shy;den Aus&shy;sa&shy;ge.</ref> klar ist oder expli&shy;zit<ref>Ne&shy;ben aus&shy;drück&shy;li&shy;chen Ver&shy;wei&shy;sen auf einen Kon&shy;text, et&shy;wa in Form von Orts- und Zeit&shy;an&shy;ga&shy;ben (‘in Pa&shy;ris vor dem Tor der Bas&shy;tille am 14. Ju&shy;li 1789’, als Satz&shy;ad&shy;verb) oder Me&shy;dien&shy;an&shy;ga&shy;ben (‘in dem Film «Ver&shy;ti&shy;go» von Hitch&shy;cock’, als Satz&shy;ad&shy;verb), lie&shy;fern bei&shy;spiels&shy;wei&shy;se auch die Tem&shy;pus&shy;an&shy;ga&shy;ben den ge&shy;mein&shy;ten Kon&shy;text&shy;be&shy;zug.</ref> ange&shy;geben wurde.
In all cases, it is crucial that the respective communication partners already know the intended objects and can distinguish them in some way from the other discourse objects currently at hand. A nomination can only be carried out successfully if it is clear which set of objects is currently available for selection, i.e., which discursive situation the communication partners are currently communicating about. For deictic forms of nomination, it is immediately apparent that this must be the utterance situation in which the interlocutors find themselves, i.e., more precisely, the objects they can (jointly) perceive there.<ref>Furthermore, deictic expressions and the associated [[Zeigen und Sich-Zeigen|pointing gestures]] can also be used in a broader sense. Then, the pointing gestures and the associated demonstrator can refer to a merely imagined or even abstract object, but still, as if it were concretely present in the current communication situation.<br> See also [https://en.wikipedia.org/wiki/Deixis Wi&shy;ki&shy;pe&shy;dia: Dei&shy;xis].</ref> In the general case, nominations refer to a [[Glossar-English:Context|context]] that is either implicitly<ref>Besides the immediate utterance situation, as a standard case in a sequence of statements, the context of a statement results from the context of the preceding statement unless expressly stated otherwise.</ref> clear or explicitly<ref>Besides explicit references to a context, for instance, in the form of place and time indications (‘in Paris in front of the Bastille gate on July 14, 1789’, as sentential adverb) or media indications (‘in the film «Vertigo» by Hitchcock’, as sentential adverb), the tense indications, for instance, also provide the intended context reference.</ref> stated.




==Bildhafte Nomina&shy;tionen?==
==Pictorial nominations==
Inwiefern ist die Teilhand&shy;lung »Nomi&shy;nation« für die Bildver&shy;wendung rele&shy;vant? Immer&shy;hin reden wir umgangs&shy;sprachlich oft so, dass wir uns mithil&shy;fe eines Bildes einen bestimm&shy;ten Gegen&shy;stand vor Augen (und Geist) führen. Sollte mögli&shy;cherwei&shy;se gar die Nomi&shy;nation die grundle&shy;gende Form des Bildge&shy;brauchs sein? Wäre das der Fall, dann müsste die Nomi&shy;nation
''jeder'' Bildver&shy;wendung zu Grunde liegen.


[[Datei:GoldenGate1.jpg|thumb|Ab&shy;bil&shy;dung 1: Ein Bei&shy;spiel: „Ist 1936 ge&shy;baut wor&shy;den“]]
How is the partial action »nomination« relevant for using images? After all, we often talk colloquially in such a way that we bring a certain object before our eyes (and mind) with the help of an image. Is it possible that nomination may even be the basic form of image use? If that were the case, the nomination would have to be the basis of ''every'' image usage.


Bei&shy;spiels&shy;wei&shy;se emp&shy;fin&shy;den wir es als nicht un&shy;ge&shy;wöhn&shy;lich, wenn je&shy;mand das Bild ei&shy;ner gro&shy;ßen, rot an&shy;ge&shy;stri&shy;che&shy;nen Hän&shy;ge&shy;brü&shy;cke mit zwei auf&shy;fäl&shy;lig ge&shy;stal&shy;te&shy;ten Pfei&shy;lern prä&shy;sen&shy;tiert (Abb. 1) und da&shy;zu knapp be&shy;merkt: „Ist 1936 ge&shy;baut wor&shy;den.“ Der [[Bildhandeln|Bild&shy;zei&shy;chen&shy;akt]] über&shy;nimmt al&shy;so an&shy;schei&shy;nend die Rol&shy;le der No&shy;mi&shy;na&shy;ti&shy;on; hier gilt eben&shy;so wie bei den rein sprach&shy;li&shy;chen No&shy;mi&shy;na&shy;ti&shy;o&shy;nen, dass auch der pas&shy;si&shy;ve Dis&shy;kurs&shy;part&shy;ner je&shy;nes Ob&shy;jekt be&shy;reits als ge&shy;mein&shy;sam be&shy;kannt ver&shy;ste&shy;hen muss, da er an&shy;sons&shy;ten nicht wüss&shy;te, wo&shy;rauf er die Prä&shy;di&shy;ka&shy;ti&shy;on des Bau&shy;jah&shy;res über&shy;haupt be&shy;zie&shy;hen soll.  
[[Datei:GoldenGate1.jpg|thumb|Figure 1: An example: „Was built in 1936“ ]]
 
For example, we do not find it unusual when someone presents a picture of a large, red-painted suspension bridge with two conspicuously designed piers (Fig. 1) and tersely remarks: „Was built in 1936.“ The [[Bildhandeln|pictorial sign act]] thus apparently takes over the role of nomination. Here, as with the purely verbal nominations, it is true that the passive discourse partners must also already understand that object as commonly known, since otherwise, they would not know to what they should refer the predication of the year of construction in the first place.
:  
:  
Die [[Modalität|modale Bild&shy;theorie]] wider&shy;spricht dieser Ana&shy;lyse der Beispiel&shy;situ&shy;ation: Bei der anschei&shy;nend nomi&shy;nato&shy;risch einge&shy;setzten Abbil&shy;dung der Golden Gate-Brücke eröff&shy;ne das Bild vielmehr einen refe&shy;renti&shy;ellen [[Kontext]] mit dem inten&shy;tiona&shy;len Gegen&shy;stand als (poten&shy;tielle) [[Figur/Grund-Differenzierung|Figur]] vor einem (poten&shy;tiellen) Grund. Über diesen wird dann (unter der Annah&shy;me, dass das Gegen&shy;über den indi&shy;vidu&shy;ellen Gegen&shy;­stand auch visu&shy;ell erkennt) das nicht wahrnehm&shy;bare Baujahr prädi&shy;ziert. Tatsäch&shy;lich wird ja nicht das gesam&shy;te Bild nomi&shy;nato&shy;risch benutzt – der Himmel, der Ozean, die Insel hinter der Brücke oder ein Boot davor, die eben&shy;falls zu sehen sein mögen, sind in diesem Fall nicht ange&shy;sprochen, obwohl im letzten Fall die ange&shy;gebe&shy;ne Prädi&shy;kation durchaus auch verwend&shy;bar sein könnte. Diese abge&shy;bilde&shy;ten Gegen&shy;stände könnten aber bei Gele&shy;genheit jeweils eben&shy;falls als Figur heraus&shy;gegrif&shy;fen werden (⊳ [[Gegenstand der visuellen Wahrnehmung|Gegen&shy;stand der visu&shy;ellen Wahrneh&shy;mung]]).  
The [[Glossar-English:Modality|modal image theory]] contradicts this analysis of the example situation: In the case of the apparently nominatory image of the Golden Gate Bridge, the image instead opens a referential [[Glossar-English:Context|context]] with the intentional object as a (potential) [[Glossar-English:Figure/Ground Differentiation|figure]] in front of a (potential) ground. About this, the imperceptible year of construction is then predicated (under the assumption that the counterpart also visually recognizes the individual object). In fact, not the whole image is used as a nominator – the sky, the ocean, the island behind the bridge, or a boat in front of it, which may also be seen, are not addressed in this case, although in the last case, the predication given could well be usable. However, those depicted objects could also be singled out as the figure in each case on occasion (⊳ [[Gegenstand der visuellen Wahrnehmung|Objects of Visual Perception]]).
:  
:  
Tatsächlich treten, wenn man versucht, Bildver&shy;wendung im Sinne einer der Nomi&shy;nations&shy;arten zu verste&shy;hen, eine Reihe charak&shy;teris&shy;tischer Proble&shy;me auf, die jeweils Beson&shy;derhei&shy;ten der Bildver&shy;wendung unter&shy;streichen können. Im Folgen&shy;den sind diese Proble&shy;me der Situ&shy;ation gegen&shy;über&shy;gestellt, dass eine entspre&shy;chende sprachli&shy;che Nomi&shy;nations&shy;form die Bildprä&shy;senta&shy;tion beglei&shy;tet.  
Indeed, when one tries to understand image usage in terms of one of the types of nomination, a number of characteristic problems arise, each of which can underline the peculiarities of image usage. In the following, these problems are contrasted with the situation in which a corresponding linguistic form of nomination accompanies the presentation of the picture.
 
Certainly, when one tries to understand image use in terms of one of the verbal nomination types, a number of characteristic problems arise, each of which can underline the peculiarities of image use. In the following, these problems are contrasted with the situation where a corresponding linguistic nomination accompanies the image presentation.


===Bilder und deiktische oder ana&shy;phori&shy;sche Aus&shy;drücke===
===Images and deictic or anaphoric expressions===
Bilder im Sinne von deikti&shy;schen Aus&shy;drücken zu verwen&shy;den, also etwa an Stelle der Äuße&shy;rung von ‘Dies!’ und zusam&shy;men mit einer (nicht auf das Bild gerich&shy;teten) Zeige&shy;geste, ist nicht recht vorstell&shy;bar, müsste doch der damit gemein&shy;te Gegen&shy;stand dann immer zugleich zuge&shy;gen sein. Man würde diese Präsen&shy;tations&shy;handlun&shy;gen jeden&shy;falls übli&shy;cherwei&shy;se nicht in dem hier inten&shy;dierten Sinn verste&shy;hen.
Using images in the sense of deictic expressions, e.g., instead of the utterance of ‘This!’ and together with a pointing gesture (not directed at the picture), is not really conceivable since the object meant by it would then always have to be present at the same time. In any case, one would not usually understand these acts of presentation in the sense intended here.
:
:
Für anaphorische Nomina&shy;tion gilt prinzi&shy;piell Ana&shy;loges: Sie können durch Bildver&shy;wendung nicht ersetzt werden. Umge&shy;kehrt kann man aber sehr wohl mit Ana&shy;phern auch ohne Vorer&shy;wähntheit auf abge&shy;bilde&shy;te Gegen&shy;stände sprachlich verwei&shy;sen, eben&shy;so wie dazu ein Demon&shy;strator mit Zeige&shy;geste in Richtung auf das Bild häufig ohne Proble&shy;me verwen&shy;det werden kann.
In principle, the same applies to anaphoric nominations: They cannot be replaced by the use of pictures. Conversely, however, anaphors can be used to refer verbally to depicted objects without prior mention, just as a demonstrator with a pointing gesture in the direction of the picture can often be used for this purpose without any problems.


===Bilder und Eigen&shy;namen===
===Images and proper names===
Generell wird ''nicht'' davon ausge&shy;gangen, dass Bilder wie Eigen&shy;namen funkti&shy;onieren können, da Eigen&shy;namen in einer (mehr oder weni&shy;ger weit gefass&shy;ten) Taufsi&shy;tuation konven&shy;tionell einge&shy;setzt werden müssen. Bei Bildern steht hinge&shy;gen zumindest im Kernbe&shy;reich eine (mehr oder weni&shy;ger starke) nicht-konven&shy;tionel&shy;le Darstel&shy;lungsbe&shy;ziehung im Fokus der Aufmerk&shy;samkeit. Umge&shy;kehrt werden Eigen&shy;namen faktisch häufig mit einer Bildver&shy;wendung in Zusam&shy;menhang gebracht, etwa bei Portraits, Passbil&shy;dern oder der Abbil&shy;dung bekann&shy;ter Bauwer&shy;ke. Wäre die Bildver&shy;wendung im Grunde ana&shy;log einer Nomi&shy;nation per Eigen&shy;name, so würde ein solches Verhal&shy;ten keinen Sinn machen, da entwe&shy;der der sprachli&shy;che oder der bildhaf&shy;te Eigen&shy;name allein bereits ausrei&shy;chen würde, um den Gegen&shy;stand zu iden&shy;tifi&shy;zieren oder aber beide als Nomi&shy;nation jeweils versa&shy;gen.  
In general, it is ''not'' assumed that images can function like proper names since proper names must be installed conventionally in a (more or less broadly defined) baptismal situation. On the other hand, in the case of pictures, a (more or less strong) non-conventional representational relationship is the focus of attention, at least in the core area. Conversely, proper names are factually often associated with image use, for example, in portraits, passport photos, or the depiction of well-known buildings. If image use were basically analogous to nomination by proper name, such behavior would make no sense since either the linguistic or the pictorial proper name alone would be sufficient to identify the object, or both would fail as nomination in each case.


===Bilder und Kennzeich&shy;nungen===
===Images and descriptions===
Viel näher scheint es hinge&shy;gen zu liegen, Bilder im Sinne von Kennzei&shy;chnungen zu gebrau&shy;chen, wird ein abge&shy;bilde&shy;ter Gegen&shy;stand doch vor allem mithil&shy;fe seiner visu&shy;ellen Eigen&shy;schaften präsen&shy;tiert.  
On the other hand, it seems much more appropriate to use images in the sense of descriptions since a depicted object is presented primarily with the help of its visual properties.
:
:
Kennzeichnungstheorien des Bildes sind häufig einge&shy;bettet in Prädi&shy;kationsthe&shy;orien (⊳ [[Prädikation|Prädi&shy;kation]]), da jede Kennzeich&shy;nung im Kern auf eine vorgän&shy;gige Prädi&shy;kation zurück&shy;greift (so etwa bei Sachs-Hombach). Ein Gegen&shy;stand werde entspre&shy;chend bildlich iden&shy;tifi&shy;ziert, indem seine bekann&shy;ten visu&shy;ellen Charak&shy;teris&shy;tika verwen&shy;det werden. Wie oben erwähnt wird in einem darstel&shy;lenden Bild aber in der Regel mehr als ein einzel&shy;ner iso&shy;lierter Gegen&shy;stand gezeigt.
Since every description essentially refers back to a previous [[Glossar-English:Predication|predication]], description theories of images are often embedded in predication theories (like, e.g., Sachs-Hombach's). Accordingly, an object is identified pictorially by using its known visual characteristics. As mentioned above, however, a figurative image usually shows more than a single isolated object.
:
:
Wie schon bei den Eigen&shy;namen werden auch sprachli&shy;che Kennzeich&shy;nungen viel eher im Zusam&shy;menhang von Bildern verwen&shy;det, genau&shy;er: Kennzei&shy;chnungen werden dazu verwen&shy;det, um auf Gegen&shy;stände, die durch die Bildprä&shy;senta&shy;tion medial ins Diskurs&shy;uni&shy;versum einge&shy;führt wurden, verwei&shy;sen zu können und über diese etwas auszu&shy;sagen. Vor allem der Gebrauch deikti&shy;scher Kennzeich&shy;nungen ist in dieser Hinsicht aufschluss&shy;reich: Denn auf was zeigt man eigent&shy;lich, wenn man auf eine Stelle eines Bildträ&shy;gers deutet und dabei eine deikti&shy;sche Kennzeich&shy;nung benutzt, die einen abge&shy;bilde&shy;ten Gegen&shy;stand iden&shy;tifi&shy;ziert? Dass dabei ein einzel&shy;ner, dem Gesprächs&shy;partner als bekannt voraus&shy;gesetz&shy;ter Gegen&shy;stand gemeint ist ergibt sich aus der allge&shy;meinen Funktion der Nomi&shy;nation. Dass dieser gemein&shy;te Gegen&shy;stand als zumin&shy;dest in gewis&shy;sem Sinn anwe&shy;send gelten muss, folgt aus der Verwen&shy;dung der deikti&shy;schen Parti&shy;kel zusam&shy;men mit der Zeige&shy;geste. Genau&shy;er gesagt hat die Verwen&shy;dung des Bildes in diesem Fall also die Funktion, die Kommu&shy;nika&shy;tionssi&shy;tuation um nicht anwe&shy;sende Gegen&shy;stände zu erwei&shy;tern. Es handelt sich demnach um eine [[Kontextbildung|Kontext&shy;bildung]] im Sinne der [[Modalität|moda&shy;len Bild&shy;theorie]].
As was already the case with proper names, verbal descriptions are much more likely to be used in connection with images. More precisely, descriptive noun phrases are employed to refer to objects, which have been medially introduced into the discourse universe through the image presentation, with the purpose of saying something about them. Significantly, the use of deictic descriptions is revealing in this respect: For, what does one really point to when one points to a place on an image carrier and, in doing so, uses a deictic description that identifies a depicted object? The fact that a single object, presupposed as known to the interlocutor, is meant follows from the general function of the nomination. That this intended object must be considered present, at least in some sense, follows from using the deictic particle jointly with the pointing gesture. More precisely, then, the use of the image, in this case, has the function of extending the communication situation to include objects that are not present. Accordingly, it is a [[Glossar-English:Context-Building Acts|context-building act]] in the sense of the [[Glossar-English:Modality|modal image theory]].


===Bilder als eigen&shy;ständige Form der Nomi&shy;nation===
===Images as an independent form of nomination===
Offen bleibt derzeit, ob sich mithil&shy;fe von Bildprä&shy;senta&shy;tionen eine ganz eigen&shy;ständi&shy;ge Art der Nomi&shy;nation durchfüh&shy;ren lässt, die nicht mit den Mecha&shy;nismen der sprachli&shy;chen Nomi&shy;natio&shy;nen über&shy;einstimmt. Es müsste dabei um eine Zeichen&shy;teilhand&shy;lung gehen, durch die man, um darüber etwas Weite&shy;res mitzu&shy;teilen, einen dem Gegen&shy;über bereits bekann&shy;ten Gegen&shy;stand in den gemein&shy;samen Fokus der Aufmerk&shy;samkeit rückt, indem man weder konven&shy;tionell verge&shy;bene Symbo&shy;le noch charak&shy;teris&shy;tische Eigen&shy;schaften, weder osten&shy;sive Deixis noch Vorer&shy;wähntheit ausnutzt.
At present, it remains to be seen whether an utterly independent kind of nomination can be carried out with the help of image presentations, which does not correspond to the mechanisms of linguistic nominations. It would have to be a partial sign action, by which, to communicate something further about it, one moves an object already known to the other person into the common focus of attention by using neither conventionally assigned symbols nor characteristic properties, neither ostensive deixis nor previous mentioning.


===Welche Gegenstände identi&shy;fizieren unge&shy;genständ&shy;liche Bilder?===
===What objects do non-representational images identify?===
Unter der Hypothese einer prinzi&shy;piell nomi&shy;nato&shy;rischen Grundver&shy;wendung von Bildern muss auch die Frage geklärt werden, welche Gegen&shy;stände dann eigent&shy;lich mithil&shy;fe von unge&shy;genständ&shy;lichen Bildern iden&shy;tifi&shy;ziert werden. Alles in allem erscheint damit die Nomi&shy;nation als Basis&shy;form der Bildver&shy;wendung wenig über&shy;zeugend (⊳ [[Semantik ungegenständlicher Bilder|Seman&shy;tik unge&shy;genständ&shy;licher Bilder]]).  
Under the hypothesis of a principally nominatory basic use of images, the question must also be clarified as to which objects are identified with the help of non-representational images. All in all, nomination as a fundamental form of image use does not seem very convincing (⊳ [[Semantik ungegenständlicher Bilder|Semantics of Non-Figurative Images]]).




==Nominator, singulärer Ausdruck und Satz&shy;subjekt==
==Nominator, singular expression, and the subject of a sentence==
Die sprachlichen Ausdrücke, mit deren Hilfe eine Nomi&shy;nation ausge&shy;führt wird, werden ‘''Nomi&shy;nato&shy;ren''’ genannt. Sie entspre&shy;chen weitge&shy;hend dem, was mit dem älte&shy;ren Ausdruck ‘singu&shy;läre Termi&shy;ni’ bezeich&shy;net wurde, ana&shy;log zu den ‘gene&shy;rellen Termi&shy;ni’ (cf. <bib id='Tugendhat & Wolf 1983a'>Tugend&shy;hat & Wolf 1983a</bib> und <bib id='Tugendhat 1976a'>Tugend&shy;hat 1976a</bib>). Der Ausdruck ‘Nomi&shy;nator’ wurde einge&shy;führt in <bib id='Lorenz 1970a'></bib>: S. 214 insbe&shy;sonde&shy;re mit dem Ziel, eine klare&shy;re Unter&shy;scheidung zu erhal&shy;ten zwischen logi&shy;scher und lingu&shy;isti&shy;scher Ana&shy;lyse.<ref>Vgl. hier&shy;zu auch [http://de.wikipedia.org/wiki/Nominator_(Logik) Wi&shy;ki&shy;pe&shy;dia: No&shy;mi&shy;na&shy;tor (Lo&shy;gik)].</ref>
The verbal expressions through which a nomination is carried out are called ‘''nominators''’. They largely correspond to what was denoted by the older expression ‘singular terms’, contrasting ‘general terms’ (cf. <bib id='Tugendhat & Wolf 1983a'>Tugend&shy;hat & Wolf 1983a</bib> and <bib id='Tugendhat 1976a'>Tugend&shy;hat 1976a</bib>). The expression ‘nominator’ was introduced in <bib id='Lorenz 1970a'></bib>: p. 214 in particular with the aim of obtaining a clearer distinction between logical and linguistic analysis.<ref>See also [http://de.wikipedia.org/wiki/Nominator_(Logik) Wi&shy;ki&shy;pe&shy;dia: No&shy;mi&shy;na&shy;tor (Lo&shy;gik)].</ref>
:
:
Obwohl mit dem Satzsubjekt in aller Regel eine Nomi&shy;nation ausge&shy;führt wird, gibt es Ausnah&shy;men: die Sätze mit unper&shy;sönlich gebrauch&shy;tem ‘es’, wie in ‘es regnet’. Diese bilden daher im enge&shy;ren Sinn auch keine Propo&shy;siti&shy;onen.
Although the subject of a sentence is usually a nomination, there are exceptions: Sentences with an impersonally used ‘it’, as in ‘it is raining’.<ref>Cf. [https://en.wikipedia.org/wiki/Subject_(grammar) Wikipedia: Subject (grammar)].</ref> Therefore, these do not form propositions in the strict sense.


{{GlossarSieheE}}
{{GlossarSieheE}}
* [[Bildhandeln]]
* [[Glossar-English:Context|Context]]
* [[Figur/Grund-Differenzierung]]
* [[Glossar-English:Context-Building Acts|Context-building acts]]
* [[Gegenstand der visuellen Wahrnehmung]]
* [[Glossar-English:Figure/Ground Differentiation|Figure/ground differentiation]]
* [[Interaktion und Kommunikation]]
* [[Zeigen und Sich-Zeigen|Indication and ostentation]]
* [[Kontext]]
* [[Glossar-English:Interaction and Communication|Interaction and communication]]
* [[Kontextbildung]]
* [[Glossar-English:Modality|Modality]]
* [[Modalität]]
* [[Gegenstand der visuellen Wahrnehmung|Objects of visual perception]]
* [[Prädikation]]
* [[Bildhandeln|Pictorial actions]]
* [[Pragmatik, Semantik, Syntax]]
* [[Glossar-English:Predication|Predication]]
* [[Proposition]]
* [[Glossar-English:Pragmatics, Semantics, Syntax|Pragmatics, semantics, syntax]]
* [[Semantik ungegenständlicher Bilder]]
* [[Glossar-English:Proposition|Proposition]]
* [[Zeichen, Zeichenträger, Zeichensystem]]
* [[Semantik ungegenständlicher Bilder|Semantics of non-figurative images]]
* [[Zeigen und Sich-Zeigen]]
* [[Glossar-English:Sign, Sign Carrier, Sign System|Sign, sign carrier, sign system]]


{{GlosTab2}}
{{GlosTab2}}
Zeile 124: Zeile 126:
* [[Benutzer:Klaus Sachs-Hombach|Sachs-Hombach, Klaus]]
* [[Benutzer:Klaus Sachs-Hombach|Sachs-Hombach, Klaus]]
{{GlosTab5-E}}
{{GlosTab5-E}}
<bib id='Schirra 2013g-u'></bib>
<!--den Schluß nicht verändern-->
<!--den Schluß nicht verändern-->
{{GlosEndB}}
{{GlosEndB}}
<!--Das war's-->
<!--Das war's-->

Aktuelle Version vom 22. Januar 2024, 13:59 Uhr

Sub-Item to: Sign theories: Overview

Original: Nomination


Nomination as an unsaturated part of propositions

Suppose one asks about the pragmatics of signs. In that case, one quickly associates a combinatorial scheme similar to the one that reconstructs the pragmatic function of statements from the partial sign acts of nomination and predication. Especially in the case of images – or, more precisely, in the case of communication actions with the help of images – it is often investigated whether those partial functions might not provide a system of elementary communicative acts generating image pragmatics (cf. [Sachs-Hombach 2003a]Sachs-Hombach, Klaus (2003): Das Bild als kommu­nika­tives Medium. Ele­mente einer allge­meinen Bild­wissen­schaft. Halem, Köln.
or [Harth 2001a]Harth, Manfred (2001): Bezugnahme bei Bildern. In: Sachs-Hombach, K. (Hg.), Bildhandeln: Interdisziplinäre Forschungen zur Pragmatik bildhafter Darstellungsformen. Halem, Köln.
). Nomination is the partial act of drawing attention to an object about which something is to be communicated; This object has to be already known to both communicative partners – existing in their shared discourse universe[1] (cf. [Kamlah & Lorenzen 1973a]Kamlah, Wilhelm & Lorenzen, Paul (1973): Logische Propädeutik. Vorschule des vernünftigen Redens. BI Wissenschaftsverlag, München.
Nicht angezeigt: 2. Aufl. (<sup>1</sup>1967, <sup>3</sup>1996)
: § 3, as well as [Gerhardus et al. 1975a]Gerhardus, Dietfried; Kledzik, Silke M. & Reitzig, Gerd H. (1975): Schlüssiges Argumentieren – Logisch-propädeutisches Lehr- und Arbeitsbuch. Vandenhoeck & Ruprecht, Göttingen.
: p. 42). The nomination is regarded as unsaturated in Frege's sense, i.e., as a real partial action that requires supplementation and cannot meaningfully occur alone.

In particular, without the completion by a predication to a proposition, the mentioning of an object by the nomination would stand communicatively in empty space, so to speak.


Types and requirements of nomination

In connection with pointing gestures, deictic expressions – “this/these” and similar – often serve to perform the sub-action »nomination«, especially when the current communication situation and the material objects „given in it“ are meant. The function of nomination is not limited to such objects: Even with the expressions ‘the last unicorn’, ‘this idea of the beautiful’, ‘Otto von Guericke’, or ‘Harry Potter's antagonist’, we can, indeed, refer to discourse objects. In the first case, it is a definite description of a fictitious object; in the second case, a deictic description of an abstract object; in the third case, a proper name for a real object in the past; and in the fourth case, a complex nomination with proper name and describing elements for a medially invented object.

Overview of the types of nomination
simple deictic expressions (demonstrator) „this“, „these“ used in conjunction with a pointing gesture, no property or type specification
indexical expressions „I“, „your“, „us“ result directly from the communication situation and its components; the signified must, therefore, be present; applies in particular to the communication partners themselves
anaphora „it“, „she“, „him“, „them“ used without pointing action, reference to aforementioned items
proper names „Ludwig“, „Mona Lisa“ conventionally (by baptism in the broadest sense) established nominators
defi­nite descriptions[2] „the unicorn“, „the injured unicorn“, „the unicorn that lost its horn“ an individuated instance of a particular type – a description of „that in the current discourse universe which you know has such and such a property“
anaphoric descriptions „his unicorn“ combination of anaphoric and descriptive nomination
deictic descriptions „this unicorn“ combination of deictic and descriptive nomination; is considered the most general form from which the other forms are derived

In all cases, it is crucial that the respective communication partners already know the intended objects and can distinguish them in some way from the other discourse objects currently at hand. A nomination can only be carried out successfully if it is clear which set of objects is currently available for selection, i.e., which discursive situation the communication partners are currently communicating about. For deictic forms of nomination, it is immediately apparent that this must be the utterance situation in which the interlocutors find themselves, i.e., more precisely, the objects they can (jointly) perceive there.[3] In the general case, nominations refer to a context that is either implicitly[4] clear or explicitly[5] stated.


Pictorial nominations

How is the partial action »nomination« relevant for using images? After all, we often talk colloquially in such a way that we bring a certain object before our eyes (and mind) with the help of an image. Is it possible that nomination may even be the basic form of image use? If that were the case, the nomination would have to be the basis of every image usage.

Figure 1: An example: „Was built in 1936“

For example, we do not find it unusual when someone presents a picture of a large, red-painted suspension bridge with two conspicuously designed piers (Fig. 1) and tersely remarks: „Was built in 1936.“ The pictorial sign act thus apparently takes over the role of nomination. Here, as with the purely verbal nominations, it is true that the passive discourse partners must also already understand that object as commonly known, since otherwise, they would not know to what they should refer the predication of the year of construction in the first place.

The modal image theory contradicts this analysis of the example situation: In the case of the apparently nominatory image of the Golden Gate Bridge, the image instead opens a referential context with the intentional object as a (potential) figure in front of a (potential) ground. About this, the imperceptible year of construction is then predicated (under the assumption that the counterpart also visually recognizes the individual object). In fact, not the whole image is used as a nominator – the sky, the ocean, the island behind the bridge, or a boat in front of it, which may also be seen, are not addressed in this case, although in the last case, the predication given could well be usable. However, those depicted objects could also be singled out as the figure in each case on occasion (⊳ Objects of Visual Perception).

Indeed, when one tries to understand image usage in terms of one of the types of nomination, a number of characteristic problems arise, each of which can underline the peculiarities of image usage. In the following, these problems are contrasted with the situation in which a corresponding linguistic form of nomination accompanies the presentation of the picture.

Certainly, when one tries to understand image use in terms of one of the verbal nomination types, a number of characteristic problems arise, each of which can underline the peculiarities of image use. In the following, these problems are contrasted with the situation where a corresponding linguistic nomination accompanies the image presentation.

Images and deictic or anaphoric expressions

Using images in the sense of deictic expressions, e.g., instead of the utterance of ‘This!’ and together with a pointing gesture (not directed at the picture), is not really conceivable since the object meant by it would then always have to be present at the same time. In any case, one would not usually understand these acts of presentation in the sense intended here.

In principle, the same applies to anaphoric nominations: They cannot be replaced by the use of pictures. Conversely, however, anaphors can be used to refer verbally to depicted objects without prior mention, just as a demonstrator with a pointing gesture in the direction of the picture can often be used for this purpose without any problems.

Images and proper names

In general, it is not assumed that images can function like proper names since proper names must be installed conventionally in a (more or less broadly defined) baptismal situation. On the other hand, in the case of pictures, a (more or less strong) non-conventional representational relationship is the focus of attention, at least in the core area. Conversely, proper names are factually often associated with image use, for example, in portraits, passport photos, or the depiction of well-known buildings. If image use were basically analogous to nomination by proper name, such behavior would make no sense since either the linguistic or the pictorial proper name alone would be sufficient to identify the object, or both would fail as nomination in each case.

Images and descriptions

On the other hand, it seems much more appropriate to use images in the sense of descriptions since a depicted object is presented primarily with the help of its visual properties.

Since every description essentially refers back to a previous predication, description theories of images are often embedded in predication theories (like, e.g., Sachs-Hombach's). Accordingly, an object is identified pictorially by using its known visual characteristics. As mentioned above, however, a figurative image usually shows more than a single isolated object.

As was already the case with proper names, verbal descriptions are much more likely to be used in connection with images. More precisely, descriptive noun phrases are employed to refer to objects, which have been medially introduced into the discourse universe through the image presentation, with the purpose of saying something about them. Significantly, the use of deictic descriptions is revealing in this respect: For, what does one really point to when one points to a place on an image carrier and, in doing so, uses a deictic description that identifies a depicted object? The fact that a single object, presupposed as known to the interlocutor, is meant follows from the general function of the nomination. That this intended object must be considered present, at least in some sense, follows from using the deictic particle jointly with the pointing gesture. More precisely, then, the use of the image, in this case, has the function of extending the communication situation to include objects that are not present. Accordingly, it is a context-building act in the sense of the modal image theory.

Images as an independent form of nomination

At present, it remains to be seen whether an utterly independent kind of nomination can be carried out with the help of image presentations, which does not correspond to the mechanisms of linguistic nominations. It would have to be a partial sign action, by which, to communicate something further about it, one moves an object already known to the other person into the common focus of attention by using neither conventionally assigned symbols nor characteristic properties, neither ostensive deixis nor previous mentioning.

What objects do non-representational images identify?

Under the hypothesis of a principally nominatory basic use of images, the question must also be clarified as to which objects are identified with the help of non-representational images. All in all, nomination as a fundamental form of image use does not seem very convincing (⊳ Semantics of Non-Figurative Images).


Nominator, singular expression, and the subject of a sentence

The verbal expressions through which a nomination is carried out are called ‘nominators’. They largely correspond to what was denoted by the older expression ‘singular terms’, contrasting ‘general terms’ (cf. [Tugendhat & Wolf 1983a]Tugendhat, Ernst & Wolf, Ursula (1983): Logisch-semantische Propädeutik. Reclam, Stuttgart.
Notiz: (revid. 1986)
and [Tugendhat 1976a]Tugendhat, Ernst (1976): Vorlesungen zur Einführung in die sprachanalytische Philosophie. Suhrkamp, Frankfurt/M.
). The expression ‘nominator’ was introduced in [Lorenz 1970a]Lorenz, Kuno (1970): Elemente der Sprachkritik – Eine Alternative zum Dogmatismus und Skeptizismus in der Analytischen Philosophie. Suhrkamp, Frankfurt/M.
: p. 214 in particular with the aim of obtaining a clearer distinction between logical and linguistic analysis.[6]

Although the subject of a sentence is usually a nomination, there are exceptions: Sentences with an impersonally used ‘it’, as in ‘it is raining’.[7] Therefore, these do not form propositions in the strict sense.

Notes
  1. ↑ See also Wi­ki­pe­dia: Domain of discourse and Wi­ki­pe­dia: Shared universe.
  2. ↑ See also Wi­ki­pe­dia: Kenn­zeich­nung.
    Indefinite descriptions (“a unicorn”) usually do not fulfill a nominatory but a predictive function.
  3. ↑ Furthermore, deictic expressions and the associated pointing gestures can also be used in a broader sense. Then, the pointing gestures and the associated demonstrator can refer to a merely imagined or even abstract object, but still, as if it were concretely present in the current communication situation.
    See also Wi­ki­pe­dia: Dei­xis.
  4. ↑ Besides the immediate utterance situation, as a standard case in a sequence of statements, the context of a statement results from the context of the preceding statement unless expressly stated otherwise.
  5. ↑ Besides explicit references to a context, for instance, in the form of place and time indications (‘in Paris in front of the Bastille gate on July 14, 1789’, as sentential adverb) or media indications (‘in the film «Vertigo» by Hitchcock’, as sentential adverb), the tense indications, for instance, also provide the intended context reference.
  6. ↑ See also Wi­ki­pe­dia: No­mi­na­tor (Lo­gik).
  7. ↑ Cf. Wikipedia: Subject (grammar).
Literature
[Gerhardus et al. 1975a]Gerhardus, Dietfried; Kledzik, Silke M. & Reitzig, Gerd H. (1975): Schlüssiges Argumentieren – Logisch-propädeutisches Lehr- und Arbeitsbuch. Vandenhoeck & Ruprecht, Göttingen.[Harth 2001a]Harth, Manfred (2001): Bezugnahme bei Bildern. In: Sachs-Hombach, K. (Hg.), Bildhandeln: Interdisziplinäre Forschungen zur Pragmatik bildhafter Darstellungsformen. Halem, Köln.[Kamlah & Lorenzen 1973a]Kamlah, Wilhelm & Lorenzen, Paul (1973): Logische Propädeutik. Vorschule des vernünftigen Redens. BI Wissenschaftsverlag, München.[Lorenz 1970a]Lorenz, Kuno (1970): Elemente der Sprachkritik – Eine Alternative zum Dogmatismus und Skeptizismus in der Analytischen Philosophie. Suhrkamp, Frankfurt/M.[Sachs-Hombach 2003a]Sachs-Hombach, Klaus (2003): Das Bild als kommu­nika­tives Medium. Ele­mente einer allge­meinen Bild­wissen­schaft. Halem, Köln.[Tugendhat & Wolf 1983a]Tugendhat, Ernst & Wolf, Ursula (1983): Logisch-semantische Propädeutik. Reclam, Stuttgart.[Tugendhat 1976a]Tugendhat, Ernst (1976): Vorlesungen zur Einführung in die sprachanalytische Philosophie. Suhrkamp, Frankfurt/M.

Version 1: 2013

Responsible:

Contributions by: Joerg R.J. Schirra und Marcel Lemmes — (Note)

Quote as:

Schirra, Jörg R.J. (2013). Nomination. (Ausg. 1). In: Schirra, J.R.J.; Halawa, M. & Liebsch, D. (Hg.), Glossar der Bildphilosophie. (2012-2026). [bildglossar.org/index.php?title=Nomination].